| Editor: Daniel Mitterdorfer |
May 2005
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I am very pleased to announce that I have formed, under the Cladan Cultural Exchange Institute of Australia, an “Artists’ Management” Division. Young musicians and especially pianists need many opportunities to perform in public not only in Australia but also in other parts of the world without losing a large proportion of their concert fee to an Agency. Over many years, the Competition has developed quite an extensive number of professional and sympathetic contacts, which will be invaluable in arranging concerts and concert tours for young musicians. The Cladan Cultural Exchange Institute of Australia Artists’ Management will only deduct a small percentage from the Artist’s Fee to cover administrative/office expenses - in other words, it will be a non-profit venture. There is no person more organized and experienced that I am aware of, who could administer this new part of our organisation than our Artistic Director, Professor Warren Thomson. I am, therefore, delighted to announce that he has accepted to undertake this work. The world has many great pianists and one of my favourites, Vladimir Ashkenazy, has honoured us by agreeing to be the Artistic Patron for the 2008 Competition. You will find more information about Vladimir Ashkenazy later in this Newsletter. Claire Dan AM, OBE |
Ayano Shimada, Fourth Prizewinner in the 2004 Competition continues her studies in Paris with with Prof. Aquiles Delle-Vigne and Prof. Jean-Claude Pennetier., and is giving recitals and chamber music concerts in Paris, Spoleto, Florence, Tokyo, Iwate, Krefeld, Essen, Innsbruk and Aubergne. 2004 Competitor Alexey Kurbatov has been giving recitals at the Music Festival in Portugal (August, 2004), for the Wagner Society in Russia and at the Moscow Conservatoire (both October, 2004) and at the House of Scientists, Kiev (December, 2004). Bernd Glemser has recently issued another CD for Naxos of works by Robert Schumann the Symphonic Etudes Op 13 and the great Fantasie Op 17. This CD is the 3rd in the series of the complete piano music of Robert Schumann. The BBC Magazine in February 2005 had a wonderful review of this new CD “Most notably of all is his beautiful tone quality deep, rich and clear enhancing the Lieder-like elements of the Fantastie.” Arta Arnicane completed her course at the Royal Scottish Academy in Glasgow, and is now continuing her studies at the Latvia Academy of Music with Prof. Serge Osokin. She gave two concerts in Glasgow in November 2004, and performed the Beethoven Choral Fantasy Op 80 with the Latvian National Symphony Orchestra and Choir in Riga. She also gave recitals with her violinist sister and also performed works by Latvian composers Dubra and Ivanova at a Keyboard Festival in Helsinki. Evgeny Ukhanov has recently given performances for the Australian Opera Auditions Committee at their Christmas Function and at Parliament House, Sydney. He will give a full recital for the Peninsula Music Club on the evening of Friday 3rd June, 2005. John Chen’s Return Tour of Australia now has some 30 recitals and concerto performances. He will perform four different concertos on this tour: Chopin No 1, Bartok No 3, Rachmaninov No 1 and Roger Smalley No 2. This will be the world-premiere of the Smalley work, which was commissioned by the Sydney Youth Orchestra. Zoltan Fuzessery won 3rd Prize in the Giuliano Pecar Competition in Italy. He has been invited to give two recitals in Gorizia, Italy and in Slovenia. Warren Thomson visited China in January 2005, giving Master-classes in Shanghai and Shenzhen. He was given an Honorary Professorship at the Shanghai SIPO Polytechnic at a public ceremony in the Kong Xiang-Dong Music Arts College. Alexei Volodin will return to Australia in August and the first half of September, 2006 for a concert tour. Concerts have already been arranged in WA, SA, Vic, NSW and Queensland. The itinerary will be included in the May, 2006 Newsletter. Alexei has had 90 recitals and concerto appearances in Europe over the past two years. Bravo Sasha! Alexander Gavryluk, who has performed serveral times for the Friends of SIPCA and at the launch of the 2000 Competition Application/Audition booklet at the Seymour Centre, has won First Prize at the 2005 Rubinstein International Piano Master Competition in Tel Aviv, Israel. He won USD25,000 for the First Prize and USD5,000 for the Best Concerto prize, playing Tchaikovsky’s Piano Concerto No 1. |
• Piano Recital by Duncan Gifford - 3.00pm, 10 July, 2005 - Goethe Institut, Woollahra. Program to include Mozart’s Sonata in B-flat Major KV570, Debussy’s Estampes, Prokofiev’s Sonata No 4 Op 29 in c minor. The invitation for this recital is enclosed with this Newsletter. • Piano Recital by Alexey Yemstov - 3.00pm, 28 August, 2005 - Penthouse of the Quay Apartments, Circular Quay. The Program includes Ravel’s Gaspard de la nuit, Schubert’s Impromptu Op 90 No 3 in G Flat Major and Prokofiev’s Sonata No 6 Op 82A in A Major. The invitation for this recital is enclosed with this Newsletter also.• Friends Christmas Party - 6.00pm, 15 December, 2005 - Goethe Institut, Woollahra. A short recital will also take place. The invitation to the Christmas Party will be included with the September sNewsletter. |
Artistic Patron for 2008 Competition
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We are very pleased to announce that the internationally acclaimed pianist and conductor Vladimir Ashkenazy has agreed to be the Artistic Patron for the 2008 Sydney International Piano Competition of Australia
Vladimir Ashkenazy’s conviction that music is indivisible is borne out by his engagement with many different aspects of music-making, as conductor, piano recitalist, chamber musician and architect of varied and large-scale musical projects.As a pianist he won second prize at the Chopin Competition (Warsaw, 1955) and first prizes in the Queen Elisabeth (Brussels, 1956) and Tchaikovsky (Moscow, 1962) Competitions, and subsequently toured the world in recitals and orchestral and chamber music concerts, and built up one of the most comprehensive recording catalogues of our day. From the 1970s, he became increasingly active as a conductor and held positions with the Philharmonia (Principal Guest Conductor), Royal Philharmonic (Music Director), Cleveland (Principal Guest Conductor) and the Deutsches Symphonie-Orchester Berlin (Chief Conductor and Music Director), as well as making guest appearances with some of the world’s finest orchestras. Vladimir Ashkenazy recently took up the position of Music Director of the NHK Symphony Orchestra, with whom he undertook a short tour of Europe last season. He is Conductor Laureate of the Philharmonia Orchestra, with whom he has been involved in several high profile projects including a Rachmaninoff Festival at Lincoln Center in New York and a series marking the 50th anniversary of Prokofiev’s death and exploring the relationship between Prokofiev and Shostakovich’s music and communist dictatorship. 2003 included a major tour to Australia, Taiwan and Singapore. From 1998 to 2003 he was Chief Conductor of the Czech Philharmonic Orchestra, with whom he undertook a broad range of projects including a major Prokofiev-Shostakovich series in Cologne, New York and Vienna. Ashkenazy also holds the positions of Music Director of the European Union Youth Orchestra and Conductor Laureate of the Iceland Symphony Orchestra. Vladimir Ashkenazy continues to perform as pianist throughout the world and adds to his recording catalogue with major releases such as the acclaimed complete Shostakovich Preludes & Fugues, winner of the 1999 Grammy Award for Best Instrumental Soloist Performance (without orchestra). |
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Preceding the recital, sixty guests enjoyed chicken and champagne in the garden on a warm autumn evening. It was pleasing to see a number of Victorian Friends, and to welcome the President of the Shepparton Piano Competition, Mr Neil Werner and his wife. It is intended to hold further recitals in private homes for the encouragement of talented young musicians and to help raise funds to provide a prize in the next competition. |
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At the Annual General Meeting of the Friends Council held at Hunt and Hunt, Lawyers on Friday 15th April 2005, the following were elected to the Council for the next twelve months.
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For students of Wangaratta West Primary School the concert was the culmination of a competition they entered over three months ago on ABC Classic FM. After correctly answering a series of questions, the school had to explain why they should win a brand new piano. The prize was a brand new Yamaha baby grand piano, and 18 year old Jayson Gillham put it through its paces in the special school concert, broadcast live across Australia by ABC Classic FM. The concert wouldn’t be complete of course without a performance from the person who inspired the school’s entry - music teacher Georgina Wills, who took to the stage to perform a duet on the piano with her colleague Frances Salathiel. And their chosen piece? From Offenbach’s Orpheus in the Underworld: “The Can-Can”. - ABC Classic FM |
Due to public demand, ABC Classics has released a CD with material from the 1992 Competition, featuring Rachmaninov’s Rhapsody on a Theme of Paganini Op 43, played by Vitaly Samoshko, Liszt’s Piano Concerto No 1 in E-flat Major, played by Duncan Gifford and Prokofiev’s Piano Concerto No 3 in C Major, played by Olivier Cazal.Extracts from the review by Benjamin Chee: “Samoshko’s Rhapsody is the opening work on this album.....Samoshko races through the first six variations before a quicksilver change of mood in the 7th variation. There is a certain aristocratic manner to his playing, underlined by unself-conscious instinct which is more than closely matched, passion for passion, by Tchivzhel and the Sydney Symphony.” “Gifford’s reading of the Liszt is persuasive and magisterial: he has a strong grip on this work, both technically and interpretatively. In the inner movements, he takes the solo piano writing and unabashedly claims the spotlight for himself in the interchanges with the orchestra. He gives so much poetry and sensitivity in the second movement, with copious amounts of rubato and even sounds quite relaxed at times. Deceptively, though, Gifford is storing up the juice for a barnstorming finale, where he lets fly at the keyboard with dexterity, taking on the orchestra on its own terms and he comes out, proverbially, the last man standing” “......Cazal’s playing is hard to resist. His solo turn of finger acrobatics belies the quiet opening, impulsive and rumbustious. His accomplice-accompanist, Tchivzhel, does a superb job with the orchestra to underline the subtleties and ideas which Cazal tosses up. Cazal’s central movement is simply echt Prokofiev: just listen to his scalar roulades in the second variation, or the spicy, quirkly elements he brings to the third variation, or the glowing white-heat in the final variation leading up to the recapitulation of the Tema. Nonetheless, the bottom line here is how candidly this album captures the feckless thrills and excitement, as translated to musical performances, of a drama-drenched occasion, and is indicative of the pedigree of this competition.”
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Tyalgum Festival of Classical Music
The Tyalgum Festival of Classical Music began in 1991 after concert violinists Carmel Kaine and John Willison fell under the acoustic spell of the Tyalgum Literary Institute. Since then numerous artists have ranked the 1908 Hall alongside some of the best concert venues in the world.Held annually on the first weekend of September and recognised as one of Austalia’a premier classical events, the Tyalgum Festival providess audiences with world class performances by virtuoso musicians. In addition, the Tyalgum Festival is committed to actively providing encouragement, support and opportunities for young musicians. Superb music, combined with the magnificent scenery of the Wollumbin caldera in the Tweed Valley, Northern New South Wales, makes the Tyalgum Festival of Classical Music an experience not to be missed! Since 2002 when Alexei Volodin gave the Opening Recital, there has been a co-operative arrangement between SIPCA and the Tyalgum Festival. John Chen gave the Opening Recital in 2004 and Alexei Volodin will again give the Opening Recital in 2006. For further information about the Festival, visit their website: www.tyalgumfestival.com.au |